Art

Watercolour podcast interview – In Conversation

Here’s a new experience, for the new year! The must-listen In Conversation podcast features interviews with leading artists and craftspeople hosted by journalist Timothy Alletson Saunders. And yesterday, it was my turn to be interviewed. So if you fancy a listen to this watercolour podcast, just click below and if you want to hear future …

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Which should I use first in line and wash – ink or watercolour?

Pen and wash (or line and wash if you prefer), is a wonderful way of combining the strength of ink with beautiful soft washes of transparent watercolour. At its best, the sum of the parts adds up to so much more than the individual elements. But the most common question for those starting out is, …

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Learn about watercolour pigments – speed date your paints – 7 things to look for

Wouldn’t it be nice if you could get to know how your paints are going to behave, without just having to experiment and try them out? Could you find out what pigments are in them and instead of getting to know them over time you could see if you are compatible right from the beginning. …

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Painting realistic dew drops in watercolour – 5 different simple ways

Sometimes a little detail turns a painting from good to WOW! and adding water drops, rain drops or dew drops to your work can be just such a detail. The other thing is that they are a brilliant way of practicing tone and shadow control, which was the subject of last week’s tip. They are …

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How to paint tone and shadows in watercolour – simply and effectively

Our challenge is to represent our 3D world on 2D paper, and we do this by varying the light and the dark of our paints to try and mimic the light and shadows of our world. But watercolour is a transparent medium and we generally do not have recourse to white paint, so how can …

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The good, the bad and the ugly of watercolour paper – advice on 7 things to look for

Your watercolour paper is more important than your paints or brushes, but no one seems to mention it. It REALLY, REALLY matters! Why? Well in watercolour your paper is the lightest area – it becomes your white paint. So bare unpainted paper is usually visible. Lots of beginners think that they will wait until they …

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Edges in watercolour – 4 edges to take your work to the next level!

The quality and variety of your edges in watercolour make a huge difference. Getting control of your edges will take your work to the next level. We are taking about lost/found and hard/soft. If we are being thorough we might talk about broken edges too, but I will leave that for another day! Looking at …

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How to make a concertina sketchbook from a single sheet of paper

I love teaching workshops, as I end up learning lots too. The ‘Painting birds in Watercolour’ workshop I did last week was no exception. One of the students showed me a little folded concertina sketchbook she had made to keep all her samples in. Genius! Usually, I suggest sheets of samples, but this is so …

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